Showing posts with label BL. Show all posts
Showing posts with label BL. Show all posts

12.05.2009

Art: Random Sketches from October

This is the final visual design for Cinderella from the Prince project. I think I've made him my favorite. A conversation with my roommate really helped further the story along - the glass slipper is now an etched pocket watch.


Paul Barnett of EA Mythic came to talk at our school. He gave a great - honest and hilarious - lecture, and then afterwards, challenged me to draw a "Victorian warrior princess." This was the first sketch, done during GameX. Since then, I submitted some better-looking contours. But also since then, EA underwent massive layoffs (including our recruiter). Not sure what's going to happen from here.


I'm still trying re-designs for different nations in my story. Here's Bohren at a later age (around 28.). I like the shoulder-pads, but I think so far, it's a little Wolverine-Wade-Wilson in overall flow. Yes, he has facial hair at he gets older.


An old character from high school, when I was more into BL. Adrian is a male prostitute, his boyish looks a combination of make-up and malnourishment throughout puberty. Although he's now experienced and in-demand to the point where he can choose his clients, he still has all kinds of hepatitis and syphilis. It never made sense to me why, in harem stories, no one ever got STDs.


And finally, some very old drawings for an art trade on Gaia Online with sinxai.



1.30.2009

JPop Writing: Masculinity Versus the Bishounen

I'm taking a class on Japanese Pop Culture where we are required to write responses to our weekly reading. I hope my late-night entries are insightful enough to post here as well. The book we are reading this week is Japan Pop! .

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The term “pretty boy” implies more than a young, attractive, male. The American term has acquired a negative, “sissy” connotation –a man obsessed with physical appearance worth little aside from his looks. In Japan, there exists a word, “bishounen,” which literally translates to “pretty boy.” However, the feminine attitude possessed by Bido of Yukan Club, from the Maia Tsurumi essay, is not a definitive portrayal. Bishounen are not necessarily petty, frequently taking on protagonist roles in popular media.

The traits each culture associates with masculinity can be observed in popular culture. For example, in Gears of War, a testosterone-laden, American video game, characters are older and unrealistically muscled, with stronger jaws and more facial hair. The game itself has a large focus on its weapons arsenal, and its story focuses on shooting aliens to survive and exact revenge. In Final Fantasy, which is mentioned in the Eri Izawa’s article on romance, the protagonist is often younger, with a boyish face and thinner body. The stories often revolve around the main character’s growth through the adventure rather than the specific creatures he has to face.

Another interesting feature which arises with bishounen is homosexuality. Yukan Club’s Bido acts feminine to attract women. One can see a similar trait in reality. Heterosexual women make up the majority of “Boys’ Love,” or “BL,” readers. This work can vary between romance, pornography, and pedastry. However, they all share a common tread: idealism, a trait also seen in other media, like NHK, morning, dramas.

Most of my contact with Japanese culture comes from American conventions. In the United States, homosexuality is treated with a more black-and-white, taboo attitude. From my experience, most American, BL, purchases are made by girls between fourteen and seventeen. I believe this stems from the aforementioned idealism, and as people grow older and experience their own relationships, gay or straight, they want more realistic depictions. Another interesting feature of this phenomenon is that the purchased work usually does not depict direct, homosexual, action. The buyer sees two male characters standing next to each other, and a relationship forms in the buyer’s head.

The ideal American male is cold and aggressive. However, as shown by womens’ actions, the Japanese have developed another desirable ideal, where the male is accepting of his feelings. This type of personality is embodied in popular culture by the feminine, physical, traits of bishounen.

1.10.2009

Sketches: Old BL Stories

Some sketches I did for stories I invented a long time ago, involving boys' love. I think, at this point, the stories need more clarification, but I think I will continue with these sketches.

Adrian is a cross-dresser. I guess this was more a drawing challenge than a story (it's a classicly horrible, fanfiction-style, harem tale) - how would I pose and dress a male figure to making it convincingly androgynous? I just like drawing his hair.

I'm really proud of this one. I've long had an affinity for snakes - since I was in grade school - so the working title is "The Cobra and the Dove." The story is, in short, a prince, Belsamael, travels to a far-off land and falls in love with his tailor (rich displomats get tailors, after all). He convinces the young tailor, Torianye, to come be his queen. Naive and hopeful to move out of his lot in life, he accepts. To keep up this ruse, Tori wears wigs, alters his clothing, pretends he's mute. Unfortunately, one-sided relationships can only be stretched so thin, especially when an entire kingdom is expecting and heir.

I love Middle Eastern clothing, so it was heavily inspired by that. Again, another visual gender challenge. Both characters are male, so I wanted to maintain the masculinity of Bel, who has long black hair, while contrasting with Tori. The linework was just for kicks, but I like how it turned out.